During the last seven centuries, the history of painting has been marked by a series of liberations – some intentional, others accidental.
This post is a transcript of a video from October 2020.
In a world where the scientific worldview is considered to be ultimate, the study of symbols, stories, and myths is looked down upon.
For Conan – and Howard – civilization is fragile, subject to degeneration, decay and conquest...
I would like to attempt to lay out a symbolic understanding of how hagiography works, and make a case for why hagiography is so important to our understanding of the patterns by which reality manifests.
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